I]A significant other to Greek Mythology[/i] offers a chain of essays that discover the phenomenon of Greek fable from its origins in shared Indo-European tale styles and the Greeks' contacts with their japanese Mediterranean neighbours via its improvement as a shared language and thought-system for the Greco-Roman world.
• positive factors essays from a prestigious overseas group of literary experts
• contains assurance of Greek myth's intersection with heritage, philosophy and religion
• Introduces readers to subject matters in mythology which are usually inaccessible to non-specialists
• Addresses the Hellenistic and Roman sessions in addition to Archaic and Classical Greece
Read Online or Download A Companion To Greek Mythology (Blackwell Companions To The Ancient World) PDF
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Additional resources for A Companion To Greek Mythology (Blackwell Companions To The Ancient World)
Though, Fox reminds us, Plutarch is also well aware of the oddness and Otherness to the Greek mind of many Roman traditions, as his work Roman Questions demonstrates (see pp. 000). 27. 164. 28. Art: Reid (1993); Hunger (1959). 29. Opera: Poduska (1999); Hunger (1959). 30. Barthe (1957: ‘Le Mythe, aujourd’hui’ (‘Myth today’)). 31. Lévi-Strauss and Eribon (1998: 107). 32. Frye (1957, 1963). 33. Cf. Durand (1992: 35–7). 34. For example, Jung and Kerényi (1951). 35. See Kerényi (1976a, 1976b). 36. See the ingenious solution of Sauzeau (2010).
Scenes such as the infancy of Romulus and Remus do appear occasionally, but for the most part we find the stories already familiar from Greek art and literature. Public art in Rome used myth to convey political and ideological messages, to glorify those who put works of art on display and demonstrate their connoisseurship (many of these artworks were plundered or otherwise acquired from Greece), and simply to entertain the public. In the decoration of lavish dining rooms, art could be used to transport guests into the virtual world of myth, an effect intensified when visual representations were complemented by dramatic re-enactments by actors.
Here was a rich seam of religious and mythological material, and one which bears interesting relation to Old Testament material. This is to be expected as the Canaanites are in effect the Phoenicians looked at through an Old Testament window. indd 7 2/2/2011 9:46:10 AM 8 Approaching Myth appears to have had on conceptions of the Underworld, or rather the Beyond, in the Odyssey are, unusually, brought together in CH. 20. These are the sorts of contexts in which the choices of Homer, and the mythology he represents, are made.